Roger and me documentary analysis

This provocative film did for the Vietnam War genre what The Godfather did for the gangster movie. The highly-publicized delays and catastrophes in the grueling shoot scheduled for about 17 weeks but ending up lasting about 34 weeksalong with extra-marital affairs, a grandiose and suicidal director, drug use and other forms of madness, were mostly due to a rain-drenching typhoon named Olga and a star-debilitating, near-fatal heart attack for star Martin Sheen. After its first editing, the original version was six hours long and had to be severely edited. Although the film is flawed by its excesses, an ambiguous and incohesive script, and a baffling ending, it still remains a brilliant evocation of the madness and horrors of war.

Roger and me documentary analysis

The synopsis below may give away important plot points. Synopsis Michael Moore is an eccentric, self-taught documentary film director who begins by introducing himself and his family through 8 mm archival home movies; in a voice-over, he describes himself as "kind of a strange child," the Irish American Catholic middle-class son of a General Motors employee assembling AC Spark Plugs.

Moore chronicles how GM had previously defined his childhood while growing up in Flint, Michigan, and how the company was Roger and me documentary analysis primary economic and social hub of the town.

Initially, he achieves his dream of avoiding the dreary tradition of blue-collared factory life that lays for the majority of the population of Flint; by moving to California and working for a magazine in San Francisco, but this venture fails for him and he ultimately travels back to Flint.

As he returns inGeneral Motors announces the layoffs of thousands of Flint auto workers, the jobs of whom will go to cheaper labor when the plant relocates to Mexico. GM makes this announcement even though the company is according to Moore experiencing record profits.

Roger and me documentary analysis begins seeking out Smith himself to confront him with an "up-close-and-personal" interview about the closing of the Flint auto factories. He tries to visit Smith at GM's headquarters in Detroit, yet he is blocked by building security guards as Moore hasn't made an appointment.

A company spokesman comes to the lobby and exchanges contact information with Moore, initially promising him to discuss an interview with Smith, but due to lack of credentials since Moore is independent and likewise, does not have a business cardhe refuses to grant him one.

Roger and me documentary analysis

Over the course of the film, Moore attempts to track down Smith at various places including the Grosse Pointe Yacht Club and the Detroit Athletic Club, only to be told that Smith is not there or to leave by employees and security guards.

From here, Moore begins to explore the emotional impact of the plant closings on some of his friends. He interviews an auto worker named Ben Hamper who apparently suffered a nervous breakdown after being laid off on the assembly line and is currently staying at a mental health facility. Here, Moore changes course and turns his camera on the Flint Convention and Visitors Bureau, who are in the process of response by promoting a vigorously incompetent tourism policy.

The Bureau, in an effort to lure tourists into visiting Flint, permit the construction of a Hyatt Regency Hotel, a festival marketplace called Water Street Pavilion, and AutoWorld, hailed as the world's largest indoor theme park.

These efforts fail, as the Hyatt soon files for bankruptcy, Water Street Pavilion sees most of its stores go out of business, and AutoWorld closes due to a lack of visitors just six months after the grand opening. AutoWorld would reopen the next summer only to close down again, and in the end was demolished, which is seen in Moore's film 'The Big One'.

Well-known personalities and celebrities are also shown coming to Flint to bring hope to the unemployed, some of them interviewed by Moore. President Ronald Reagan himself visits the town and suggests that former auto workers find employment by moving away The mayor pays television evangelist Robert Schuller to preach to the town's unemployed.

Moore also interviews Bob Eubanks during a fair near Flint, during which Eubanks cracks an anti-Semitic and homophobic joke. Moore also attends the General Motors annual Shareholders Convention, disguised as a shareholder himself.

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However when he gets a turn at the microphone to air his grievances to the board, and even though he is the last one, Smith seems to recognize Moore and immediately shuts him out and has the convention adjourned, despite Moore's attempts to interject him.

In a close up of Smith, he can be heard joking about what he did with a fellow board member before leaving. Moore also meets some of the residents of Flint, who are reeling from the economic fallout of the layoffs. Moore meets a former feminist radio host named Janet who, to find work, joins Amway as a saleswoman.

Also met is a former auto worker, angered over the layoffs, who is named James Bond. The most famous resident that appears in the film is Rhonda Britton, who sells rabbits for "Pets or Meat".

The rabbit fights back before and during the early part of the beating. Prevalent throughout the film is Sheriff's Deputy Fred Ross, who worked at a Flint GM plant for 17 years before accepting his new job as a sheriff's deputy position, whose job now demands that he go around town carrying out evictions on families unable to pay their rent or mortgages on their houses or apartments.

During all of this, as the film progresses, Flint's crime rate skyrockets, with shootouts and murders becoming all too common. Crime becomes so prevalent, that when the ABC News program "Nightline" tries to do a live story on the plant closings, someone steals the network's van along with the cablesabruptly stopping the broadcast.

Living in Flint becomes so desperate, that Money magazine names the town as the worst place to live in America. The residents react with outrage and stage a rally where issues of the magazine are burned.

Roger and me documentary analysis

Ironically, the residents play the song "My Hometown" by Bruce Springsteen during the rally, seemingly unaware it is about a town becoming overcome by crime and extreme poverty.

At the film's climax, after three years of trying to track down the elusive and insulated Smith for a personal interview, Moore finally confronts Smith at the chairman's annual Christmas message in Detroit.Paul Hoch begs to differ with me on Roger Stone.

I think Stone’s upcoming book on LBJ and JFK’s assassination should be taken seriously because of Stone’s contacts and experience. Hoch finds Stone to be an unreliable analyst who is prone to exaggeration.

Fact check: Did Richard Nixon know Jack Ruby? - JFK Facts

Hoch cites one point of fact — about Richard Nixon and Jack Ruby — where he thinks . Roger and Me Final Essay SOCY Stephanie Williams The movie “Roger and Me” by Michael Moore is a documentary film about Roger Smith’s takeover of General Motors in the late ’s. Michael Moore documents the change in the movie from the economy in the city of Flint, Michigan.

Roger & Me is a American film written, produced, directed by and starring Michael Moore. Moore portrays the regional economic impact of General Motors CEO Roger Smith's action of closing several auto plants in his hometown of Flint, Michigan. Roger & Me is a American film written, produced, directed by and starring Michael Moore.

Moore returned to the subject of Roger & Me with a short documentary called Pets or Meat: The Return to Flint (), which aired on the PBS show schwenkreis.comed by: Michael Moore. Roger And Me Roger And Me is a documentary that carries a considerable economic significance by presenting a modern version of capitalism, and by depicting an interesting example of Gunnar Myrdal’s theory of the circular and cumulative causation.

Apocalypse Now () is producer/director Francis Ford Coppola's visually beautiful, ground-breaking masterpiece with surrealistic and symbolic sequences detailing the confusion, violence, fear, and nightmarish madness of the Vietnam War.

Coppola had already become a noted producer/director.

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